Building a Better Roundabout

On Our Stages

Targets & Progress

In September 2021, we shared our plan to build a better Roundabout. Explore our yearly progress and review our original five-year goals below.

50%

50% of our productions across all stages to be BIPOC stories

We’re defining a BIPOC story as one: written by a BIPOC author or a majority-BIPOC team; containing a significant plot line centering BIPOC character(s); and/or reinterpreted through a BIPOC perspective.

50%

50% of our Broadway productions to be BIPOC stories


Our Five-Year Goals

Diversity

To widen our pools of artists, we will:

Program more time in our production schedules for our hiring decision- makers to explore new artists and collaborators

Make the financial commitment to be able to hire more non-local performers and designers

Create reciprocal networking initiatives for our hiring and programming decision makers and artists

To support this diverse array of artists, we will:

Collaborate with them about each production’s need for intimacy, cultural, and other necessary consultants to promote equitable and safe spaces

Ensure we have culturally representative costume, hair, and makeup backstage personnel, and work with the unions to continue to diversify their membership

The company of ...what the end will be, spring 2022. Photo by Joan Marcus.

Learning

Bobby Moreno and Tyler Alvarez in 72 Miles to Go..., winter 2020. Photo by Joan Marcus.

Develop consistent, mandatory anti-racism training for all participants in the production/rehearsal process in order to ensure equitable and safe spaces

Challenge our implicit bias in programming, casting, and hiring decisions


Accountability

Before committing to production, require all collaborators including authors and authors’ estates to be aligned with our EDI/AR principles

Maintain mechanisms for timely reporting, resolving, and repairing EDI/AR incidents and develop post-production surveys to assess their efficacy

Make wage scales and employment terms applicable to our venues readily available

Create a task force to explore options to reconcile pay-equity between Broadway and Off-Broadway spaces

At top of each season, consult with directors and creative teams to review rehearsal and tech schedules to take into account all factors for each production, and work out a schedule that meets the needs of the production without overly taxing the artists and other workers

2021-22 Season

67% (4 of 6) of all productions

Five-Year Target: 50% of all productions told BIPOC stories

66% (2 of 3) of Broadway productions were BIPOC stories

Five-Year Target: 50% of Broadway productions told BIPOC stories

Action Points

Expanded early hiring plans to encompass intimacy and cultural consultants as needed for each production

Theatrical Workforce Development Program, in partnership with IATSE, has increased diverse representation backstage and in the technical-theatre pipeline

To reconcile pay-equity between Broadway and Off-Broadway, we have created a task force that holds regular meetings and has begun costing-out potential scenarios starting with comparisons between our two venues at the Harold & Miriam Steinberg Center for Theatre

Gerald Caesar and Ryan Jamaal Swain in ...what the end will be, spring 2022. Photo by Joan Marcus.
Jessica Frances Dukes and LaChanze in Trouble in Mind, fall 2021. Photo by Joan Marcus.

Expanded the search for wardrobe, hair and makeup personnel to find qualified new-to-us workers and who share identities with our casts

Engaged people of color in hair/makeup supervisor positions who had not yet worked in that leadership capacity

Held 90-minute anti-racism training sessions held with every company

Collaborated with directors to build schedules that do not include “10 out of 12s”

Held our first affinity group Space Jam writers’-support initiative for our BIPOC artists

2022-23 Season

83% Productions across all stages told BIPOC stories (5 of 6)

Five-Year Target: 50% of all productions told BIPOC stories

100% Broadway productions told BIPOC stories (1 of 1)

Five-Year Target: 50% of Broadway productions told BIPOC stories

Action Points

Expanded early hiring plans to encompass intimacy and cultural consultants as needed for each production

Hosted networking events to expand our artists’ pipeline of designers, writers, and stage managers, and hired several new-to-us designers

Began work on an Institutional Principles document to share with creative team members, including directors, that addresses diversity in casting and hiring on our shows

Allyson Kaye Daniel and Kristolyn Lloyd in 1776, fall 2022. Photo by Joan Marcus.
Jay O. Sanders, William Jackson Harper, and Eric Berryman in Primary Trust, spring 2023. Photo by Joan Marcus.

Continued to hold 90-minute anti-racism training sessions with every company

Continued to collaborate with directors to build schedules that do not include “10 out of 12s”

Developed system for reporting EDI/AR issues and hired mediators to lead restorative practice when necessary

Made distinct gender-inclusive, accessible restroom signage across all our theatres